Monday Morning Music Ministry

6-24-13

There is a town about an hour northwest of Florence, Carrara, that, after many visits to Italy, I finally had to see. More precisely: after visiting the statues of Michelangelo so often – the Pieta; David; Moses – I needed to see this town. Carrara, on Tuscany’s Mediterranean coast, holds the marble quarries that yielded the chunks that became his awesome masterpieces. And Carrara remains the source of the world’s great marble.

There is something extra special about Carrarian marble – its tone and texture. And there was something special about sculptors from Renaissance Italy – their anointed skills. I am only one of adoring millions of cultural tourists who wonder at the humanity exuding from rock. At the spiritual statements that can emanate from chiseled stone. Especially, from the viewpoint of a creator, HOW the sculptures could be so smooth and seemingly supple and glowing and close to perfection.

These days Carrarian marble is harvested by workers with mighty machines, bulldozers, and sophisticated drills and band-saws. But in Michelangelo’s day it was harvested by a fascinating process. Somewhere on the face of a mountain, at top or on a craggy slope, a monolithic section was identified, destined for statues or building columns or the facings of public monuments. (The pock-marks in the ruins of the Coliseum, by the way, are not the result of some battles, but when its beautiful marble facing was deemed to be of better, decorative use elsewhere in Rome, sections were pulled off for recycling. Easier than cutting massive new blocks from Carrara.)

Workers of Michelangelo’s day in the marble quarries looked for a crack, no matter how small. A small wooden wedge was hammered into that crack. You wonder: did that make the massive chunk fall off conveniently? No; it merely wedged into its narrow space. But workers would pour water over the soft wooden wedge, as much as it would soak up. The next day, the expansion of the wood – strange as it may seem – expanded that crack ever so slightly. Then the workers inserted a slightly larger wedge, and soaked that too.

… and so on, until the coveted chunk of marble was ready to break loose from the mountainside. Of course, harnessing the rock, navigating its fall, and transporting it to Florence, Rome, and beyond, were different challenges in themselves.

But then, to the master’s hand. Masters like Michelangelo Buonarotti were able to transform those cold slabs of rock. Did they extract humanity from stone, or imbue humanity? Such points of view are for another discussion. But I can tell you, if you have not done so, standing in front of his Pieta transports one to a spiritual realm. Much larger than life; multiple wrinkles of fabric appear genuinely silky; we see anatomical precision; and the faces – more, the “body language” of Mary holding her Son taken from the cross, and the dead Jesus, relieved of torture and strife – are miracles in themselves.

You can stand for hours, looking, identifying, grieving, loving. Being loved. The Gospel story bursts forth from the onetime ugly hunk of rock… but bursts gently. This is a momentary portrait of a dead Man, yet is also a portrait of Life.

And it is a life lesson that the marble quarries at Carrara, and the exquisite statue of the master Michelangelo, has for us. As I noticed the smooth skin of Mary’s face, the soft folds of her robe, and the shiny, smooth skin of Jesus – I beheld a life-lesson.

There are rough mountains in life. We can be “mountains” ourselves: parts of things, often big, bad things, and we wait to be liberated. Myriad happenstances in life will chip away at us; maybe we will fall; sometimes we feel like we are shattered. But then we are taken under care of the Master’s Hand. Even then, we must be prepared for more hammers and chisels, knocking away the unnecessary parts of our life. When we look at unfinished pieces by Michelangelo and Rodin, we can still see the rough marks of chisels, scars-before-the-fact. The process is sometimes long, and never without “hard knocks.”

But those wooden wedges, day by day, slowly expanding until they literally split mountains apart, can remind us God’s persistence, as well as His gentle methods to transform us unto better, more beautiful things. In MY case, I know that is as daunting as moving a mountain. But God can do it.

And there is the other end of the process. The features that give the Pieta and other sculptures their miraculous, other-worldly look – the smooth, shining, flowing surfaces, the appearance of glowing from within – are thanks to the tiniest of all the tools in the whole process! After mighty work in the quarries, transporting, chopping away, making stony chunks fall to the studio floor and fill the air with clouds of rocky particles, the final work of FINISHING is done with the smallest files, and the finest-grain sandpaper.

Marble is receptive to the microscopic burnishing that finishes the sculpture and provides the smooth texture. So it is with the real Master’s hand. It is easy enough for us to accept – intellectually – that major events can affect us, and that God can be in the re-ordering of our steps.

But we should realize, too, that the Holy Spirit often works to finish the work begun with our salvation – to live purified, spiritual, sanctified lives – with a type of holy sandpaper. Reminders, improvements, encouragement, deeper knowledge, fuller trust, richer faith, and peace that passes understanding: these are the grains of sand that bring us to look as God wants to see us.

So the smallest things (even the daily annoyances, until we “make all things work for good”) we should accept as little applications of the Creator’s hand, perfecting and finishing our faith. Oh, how marble-ous!

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Please watch today’s music-video, a spirited rehearsal by a youth choir of “Lead Me To the Rock” – with its references to this message. But it also represents a fascinating travelogue that most Americans, and American Christians, would find remote and surprising. No, not Renaissance Italy – but northeast India. On the border of Myanmar (Burma) is the state of Nagaland, whose main city is Bangalore. Its 2-million inhabitants are predominantly of Indo-Mongol racial stock, and predominantly Christian. In fact the state is between 95 and 99 per cent Christian. There is a higher percentage of Baptists in Nagaland than in any American state; and there are Pentecostals, Revivalists, and Catholics. Very few Hindus, and fewer Muslims. Jesus dwells in those beautiful hills – how many Americans know of this place? English is the official language of Nagaland. Here, visit with the Naga Christian Fellowship Bangalore. And they clap on the back beats! (“Friends should not let friends clap on the first beat.”)

Click: Lead Me To the Rock

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