Monday Morning Music Ministry

4-1-15

I recently have quoted St Augustine, from more than 1500 years ago, to the effect
that “He who sings, prays twice.” In the early days of the church, it was music
that helped attract worshipers… and was, naturally and powerfully, an irresistible
means to praise God and express joy.

Before the church fathers (and mothers; St Cecilia becoming the Patron saint
of Music) Plato identified not only music but harmony as capturing – as best
humankind could – the abstract but Perfect Good that reigns over us. Plato did not
particularly ascribe it to the manufactured Greek gods, but he believed that there
existed an Absolute Truth; and that, even if we could never fully know it, humans
are ennobled by seeking it. Although he lived 300 years before Jesus, the early
church recognized his philosophy in some ways as proto-Christian; and many of
them were neo-Platonists.

So the musical impulse, in many ways, was concurrent to the institution of
worship, formal and informal. Plainsong and chants predominated, and in the
evolution of corporate worship, the trends moved from singing individuals to
ensembles and choirs. In the Gothic era, polyphony – “many sounds,” part-
singing, basic harmony – entered church music. There was actually a time when
the Roman church considered banning harmony as rebellion against tradition, but
the impulse of reformers from Luther to Bach opened the floodgates of glorious
harmonies, attractive melodies, the regal organ, full organs, and the resumption of
congregational singing.

This is a brief introduction, in Holy Week, to a brief introduction to the history of
church music. Linked here is a 90-minute BBC-TV documentary on sacred music,
using Easter themes as the touchstone.

It covers approximately a thousand years of Western church music, from Plainsong
to Polyphony, simple chants to the complex but captivating musical expression of
J. S. Bach. The setting is St Luke’s in London, staged as a reverent mixture of the
ancient and modern. There is tasteful narration between numbers. It ultimately is
a concert, not a church service, and I hope the occasional audience applause is not
disconcerting.

If you are a person who enjoys listening to the Messiah at Christmastide, or even
if you are not, sometime during Holy Week you should find this interesting.
The church’s heritage; musical history; the sweep of cultural changes; artistic
expression of another time, almost another world, are here. And, by the translation-
subtitles of chants, songs, choruses, and motets, the essence of the Easter story is
told.

… as, maybe, only music can bring it to our souls.

+ + +

Click: An Easter Celebration