Monday Morning Music Ministry

Andrae Crouch has died. For the few who don’t know his name, that gap is filled by the fact that all of America and much of the world knows his music. His pop credentials included movie scores (“The Lion King,” “The Color Purple”), producing and working with Michael Jackson, Quincy Jones, and many others. But he was a gospel singer, composer, preacher, first. And foremost. His father pastored the New Christ Memorial Church of God in Christ, a Holiness / Pentecostal church in Los Angeles; and he and his sister Sandra succeeded in the pulpit.

His many hymns and gospel songs became hits on gospel radio and especially, at first, in churches of the Jesus Movement and the Charismatic Renewals decades ago. Then they spread, ironically (for Andrae was Black) more and more into the Black church, and into the hymnals of mainstream denominations. The songs God gave him are eternal: if the Lord tarries, people will be moved to tears, and to repentance, by Andrae’s songs for generations to come.

They will hear in his lyrics the same problems they have; the same doubts and overcoming; the same humility and gratitude; the same victories; the same joy.

Andrae did have many problems and challenges. The Holy Spirit gave him spiritual persistence. Because he prayed for that. This man who performed at humble urban missions and at vast Billy Graham crusades, winning seven Grammys along the way, fought throat cancer for a decade, and died at 72 from a heart attack.

His very first composition was “The Blood Will Never Lose Its Power,” now a standard Communion hymn in many churches. Other familiar gospels songs are “My Tribute,” whose familiar incipit line is “To God Be the Glory”; “Take Me Back”; “Soon and Very Soon”; “Jesus Is the Answer”; “Let the Church Say Amen”; and “Through It All.”

My old friend Craig Yoe, who knew Andrae before either of them was a household name, is our Guest Essayist today:

What a week! First my cartoonist comrades, their co-workers and others – and freedoms – were murdered by horrible, horrible masked terrorists. And on January 8, I learned that the great Andrae Crouch has passed from this coil that is so mortal. 

I feel for and pray for the musical artist’s family. 

They might find some very small comfort in their great loss to know that in reviewing Andrae’s signature song “Through It All,” after hearing of his demise, that I have found some healing for my own heart troubled by the world’s agony.

Andrae Crouch was such a great human being. I had him sing at the hippie-church in Akron, Ohio in the early 1970s that I pastored. And I engaged him to perform with his musical associates, including his gifted sister Sandra, for a special concert I produced back in the day.

I’ll always remember when he came to my little home. After dinner the smiling Andrae jumped up to scrub the dishes. Jesus set the example of leadership by washing feet; Andrae, in that spirit, washed and dried my rummage sale-bought chipped-up dishes. 

After the concerts of Andrae Crouch and the Disciples, Andrae would jump up from the piano to talk to folks who came forward to shake his hand and offer thanks. And he’d seek out the often forlorn ones of that group suffering from drugs and other abuses of life, and share with them into the wee hours of the night. You know, the people who were the “least of these.” 

Andrae and I disagreed on things, like his belief that faith should bring people wealth, but he certainly was no respecter of persons and generous with his time – and wealth. 

Andrae would always look people straight in the eye with love, leaning in close and call the folks he was conversing with “brother” and “sister.” That wasn’t just some off-hand catch-phrase with the singer/minister. He deeply believed it, and so did the people he talked to as a result. 

Everybody was family. I even remember Andrae generously inviting me and my ex to come stay with him. He told me there were plenty of people there. I got the idea that his home was always open.  

He just couldn’t turn off the love. 

Oh, and, of course, Andrae Crouch was a brilliant, moving, singer filled with the Holy Spirit – that goes without saying.

And he was recognized by the non-brethren and sisters. Andre was the go-to guy when people like Michael Jackson and Madonna wanted a gospel sound for a song they were recording. The dude won seven Grammys – not too shabby! 

I’m sure Andrae wasn’t perfect. But he lived a life that was exemplary. Lord knows we need the likes of more of him in this world. He has left the world and we all now must step up. 

We’ll miss this brother’s example. But, wow, the heavenly choir just got better!

I remember Andrae closing his concerts with “Through It All” and asking the audience at the end to sing along. And this part is still in my head decades later… 

I’ve had many tears and sorrows,
I’ve had questions for tomorrow,
There’s been times I didn’t know right from wrong.
But in every situation,
God gave me blessed consolation,
That my trials come, to only make me strong.

Through it all,
Through it all,
I’ve learned to trust in Jesus,
I’ve learned to trust in God.

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Craig Yoe has been a worker with the blind, a sewer worker, a nightclub owner, a church pastor, a banana salesman, a toy inventor, a creative director for The Muppets, Disney, and Nickelodeon, an author, a book designer, and a cartoonist of sorts. 

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Many Christians have memorized the words, even if not the tune, to an internal verse of “Through It All,” explaining brilliant mysteries of life’s challenges: “I thank God for the mountains, and I thank Him for the valleys; I thank Him for the storms He brought me through. For if I’d never had a problem, I wouldn’t know that God could solve them; I’d never know what faith in God could do.” A sermon in song. I dont’t know if ever made a song of this, but in last painful years, Andrae said he was given a message, and prayed to God: “Lord, heal the wounds, but leave the scars.” A humble, gifted servant. Performing here: CeCe Winans and a room of gospel legends at the Billy Graham Retreat Center, the Cove.

Click: Through It All

4-22-13

George Beverly Shea, who provided the theme music, in a real way, to the faith of several generations of Christians, died on Tuesday, April 16, 2013.

He lived to the age 104. One hundred and four was the a number that had many people talking when they heard of Bev Shea’s passing. Yet other numbers are more significant. Two hundred million is the approximate number of people before whom he performed his hymns, live, through the years. Sixty-five is how many years ago he joined Billy Graham’s ministry. Seventy is the number of albums he recorded. Ten is the number of Grammy nominations he received.

And “countless” is the number of people who profoundly were touched by Bev Shea’s sincere renditions; and countless the number of souls he ushered into Heaven through his music ministry.

So 104, by itself, is not a significant number. A form of an old joke addresses the chronological milepost: “Just reach 103, and be very careful!” But the 16th-century French essayist Michel de Montaigne wrote: “The value of life is not in the length of days, but in the use we make of them; a man may live long yet very little.”

Bev Shea’s career is a testament to a life of value, lived yielded to the Holy Spirit. His part in the story of the three men who were the core of hundreds of crusades – more than 60 years of friendship with each other, and friendship with Jesus – is remarkable. Those men were Bev Shea, singer; Cliff Barrows, musical director and host; and Billy Graham.

Many great preachers and evangelists have surrounded themselves with music and musicians, knowing that between heartfelt hymns and catchy gospel songs, there was “bait” enough to attract people not yet secure in their faith. Martin Luther had Johannes Walther… and J. S. Bach, 200 years later. Dwight L Moody had Ira Sankey, and Fanny Crosby’s hymns. Billy Sunday had Homer Rodeheaver. Billy Graham himself admitted he never would have had a successful ministry without Bev Shea’s singing. Graham’s own singing talents were charitably described by Bev as sustaining the “malady of no melody.”

Many advertisements and handbills for early crusades read, “BEV SHEA SINGS… Billy Graham will preach.” Indeed, it seemed the cart approached the horse when the unknown fledgling preacher Billy Graham knocked on the door of Bev Shea’s office at WMBI, Moody Bible Radio in Chicago, and asked the famous singer to join him. Bev accepted, reminding more than a few people of Jesus calling a diverse group of Disciples.

For all of Billy Graham’s powerful sermons and tremendous influence, one cannot envision one of his crusades without music, without Bev Shea. The associations are many: the altar-call hymn, “Just As I Am”; the inspiring “This Is My Father’s World”; the sermon-in-song “The Ninety and Nine.” Bev himself was responsible for the tune to “I’d Rather Have Jesus’; and he wrote words and music to “The Wonder of It All.” The music at an early crusade in Los Angeles was responsible for the conversion of cowboy star Stuart Hamblin… whose own gospel songs “Until Then” and “It Is No Secret (What God Can Do)” subsequently became crusade favorites.

One of Bev Shea’s signature songs is regarded as the world’s favorite hymn, after “Amazing Grace” — “How Great Thou Art.” Today, many people think it is a centuries-old standard, but it was only in the 1950s, at a Billy Graham Crusade in New York’s Madison Square Garden, that Bev Shea first sang it in the form we know today. Audience reaction demanded multiple encores on successive days, and an extended booking for the nightly crusades. The hymn had originated as a poem and an unrelated folk tune in Sweden and had traveled to Christian communities in Germany, Russia, the Ukraine, England, Canada, and the United States… until, with Bev Shea’s variations and powerful performance, it caught fire.

The astonishing appeal of Bev Shea is due only in part to his velvet-toned bass-baritone. It is more than his straightforward presentation of classic hymns, which, sung by any other voice in the 21st century, might have seemed anachronistic. It is not even fully explained by his courtly presence, so manifest on platform and in private, whether with a few personal friends or multitudes of fans.

I believe Bev Shea’s appeal, ultimately, was his lack of guile, using a word the Bible warns against. “No shadow of turning.” He simply introduced Christ. Technically speaking, Cliff Barrows introduced Bev Shea, Bev Shea introduced Billy Graham, and Billy Graham introduced Jesus Christ, all yielded to the Holy Spirit’s direction, according to their respective God-given talents.

That explains his life. To explain his death, I cite my friend Jim Watkins, who recalled the gospel song written by Bev Shea, and referred to that lifetime of friendly partnership with the crusade team: “George Beverly Shea, Billy Graham’s featured soloist for 60 years, is now realizing the full extent of his famous song, ‘I’d Rather Have Jesus.’” It was time, and Heaven is sounding sweeter right about now.

Well sung, thou good and faithful servant.

Cliff Barrows, Rick Marschall, Joni Eareckson Tada, George Beverly Shea, Joni’s mom Lindy

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I got to know Bev Shea when working on a proposed PBS documentary on gospel music, for producer Don Stillman. Days spent at the Cove with him and Cliff Barrows, Billy Graham staff, even Joni Eareckson Tada, were precious. At the crusades, Bev Shea sang and seldom spoke. When he did introduce a song, however, he spoke from his heart, as this vid from a performance, probably early 1960s, attests. A portion of his testimony. And his classic song…

Click: I’d Rather Have Jesus