Monday Morning Music Ministry

May 20, 2019

I have returned from a writer’s conference, one of several I attend each year. Writers, like artists and poets and few others, are obliged to be hermits. We wear our hearts and lives and fears and joys on our sleeves; but require solitude to work. It seems an odd thing for fragile creative spirits ultimately to toss their precious babies, so to speak, for the world to seize upon… maybe criticize… or, maybe worst, reject. Or ignore.

Yet we do it because we must. I think (without being presumptuous) that the closest we can get to understanding the essence of God is to create. In a sense, as we are to be spiritual “imitators of Christ,” we can savor the Creator by being creative too. Besides, it is His fault since He put the creative spark in us! Seriously, if He has gifted some with creative gifts as He apportions other gifts to other people as He wills, writers, artists, poets, performers, and other creative people have special responsibilities to touch the world… and translate the myriad aspects of God to others.

I will reaffirm some of the thoughts I had last year at another conference. The recent confab was the wonderful Write His Answer conference annually organized by Marlene Bagnull in Estes Park, Colorado. I was one of several speakers, conducting a couple of classes, and meeting a lot of great new friends. I also was reacquainted with some old friends.

It was attended by a couple hundred people, a majority of whom are aspiring writers, and many who had published a book or books or some blogs, still looking for tips to advance further.

When you want to write, you write. In fact, you need to write. And write. And read and write. It’s what you do because you are God-wired that way. I often heard people before and after classes, in the auditorium and lunchroom, in hallways: “Did you read what I wrote since last year?” or “Have you read my book?”

Never boasting, these questions were asked by people from nervousness or justifiable pride, and every writer’s sub-textual intention – hoping that people notice and understand your message; touched, maybe changed, by what you have to say, how you write His answer.

It always strikes me that the frequent question – “Have you read my book?” – might indeed have been the de facto theme. “Up above our heads”; all around us; and a part of everything we did, everything to which we dedicate our careers. But in a very real sense, God Himself also asks, “Have you read My Book?”

He asks that every day.

He asks us, not to read the Bible every moment of every day, but some time during every day, as many of us do. A passage, a chapter, a book, a verse. It is not an unreasonable request – but a request is inherent in the question – as God’s admonitions never are unreasonable.

The Bible is what we know of God. Yes, there is nature – I know well enough from our mountaintop experiences in Colorado. Agnostics who pose, and Christians who are lazy, can say that they can know God from communing with nature.

Wrong. That is one of the ways we can see God, even feel Him. But to know Him, we must read His book.

He meant it to be so. We have the Ten Commandments… written. We have Jesus’s teachings… recorded and written and published. I recommend visiting the Museum of the Bible in Washington DC. I saw its substantial portions when it was on tour (in Colorado a few years ago!), and a lesson for believers and skeptics alike is that, for the hundreds and hundreds of texts from different countries, different scribes, different languages, different centuries, the texts of the Holy Scriptures vary hardly at all. The Holy Spirit “dictated” to the hearts of many writers, and oversaw the consistency of God’s Words.

Words.

Jesus communicated God’s love for us. And words, books, scripture, communicate Jesus to us.

The Bible says we are to “hide the Word in our hearts.” How better than through study of those words? They are precious. I shared with an attendee at the conference that, even when I read a Bible passage for maybe the hundredth time, some new revelation dawns on my heart. One speaker this year, Ava Pennington, delivered a powerful message that made we weep. She used phrases, and cited truisms, that I have heard all my life. But when we write or speak, and organize thoughts, the old can become new; and the new become newer. The wonder of words.

How much Bible reading is proper? Have things turned irrelevant? The Bible’s first history lesson reminds us, “In the beginning was the Word; and the Word was with God, and the Word was God.” Are some passages obsolete? II Timothy 3:16 tells us, “All scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness.” A beloved old hymn states, “I love to tell the Story… ‘twill be my theme in Glory.”

Have you read His book lately?

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Stephen Hill (1956-2012) was a Baptist preacher and session singer before he launched his own gospel-music career. This is a song he sang when he and Woody Wright were invited to perform in the Netherlands. A moving song; you will be impacted in spite of the overlapping Dutch and Norwegian subtitles (he was very popular in Europe). Words!

Click: Will He Look At Me and Say ‘Well Done’?

6-5-17

Mountaintop experiences. We yearn for them. Many of us have experienced them. Ministers promise them.

Significantly, Jesus did not promise them, not all the time; very seldom, in fact. His ministry was about meeting us where we are, as we are. When we are spiritually transformed we are not promised a transfiguration to a mountaintop except, perhaps, in poetic terms. But even then, it it clear that the Lord wants us, when called, to stay where we are, or go where He wants us, and do His work… sometimes to live and work in places far removed from any semblance of an exalted mountain top.

This will not be an invitation to exult in sorrow, as some religious extremists seek to do, thinking that self-willed suffering proves their faith. In both earthly destinations – the bright mountaintop and the dark valley – we dishonor God if we substitute residency for seeking and accepting His will.

We should be careful, naturally, if we send ourselves into dangerous overseas missions or domestic ministries – or if we send our zealous children – without fervent prayer. But my real concern today is with people who long for the “mountaintop experiences,” and, sometimes prodded by certain preachers, think they are missing God’s favor, or out of His will, if instead they continue in circumstances generally regarded as “living down in the valley.”

You know it… and probably have felt it at times. Never able to get out of financial challenges. Unlucky in love. Frustrated at work. Suffering aches and pains.

“Is such a life a good witness, to the world, of what a Christian’s life is?”

Maybe.

Actually, I will add to that. It has little relation to what a Christian’s life is.

What the world looks at – what God looks at – is not where you are but how, as a Christian, you deal with it. If you are there for a reason, if He has given you a task or even a burden, you insult God Almighty by lusting all the time for that shiny resort up on yonder mountain.

Dottie Rambo wrote one of her most profound gospel songs with the following lyrics:

When I’m low in spirit, I cry, “Lord lift me up, I want to go higher with Thee!”
But nothing grows high on a mountain, so He picked out a valley for me.

Then He leads me beside still waters, Somewhere in the valley below.
And He draws me aside to be tested and tried, In the valley He restoreth my soul!

Dark as a dungeon, the sun seldom shines, And I question: “Lord why must this be?”
But He tells me there’s strength in my sorrow, And there’s victory in trials for me!

Then He leads me beside still waters, Somewhere in the valley below.
And He draws me aside to be tested and tried, In the valley He restoreth my soul!

Yes, more things grow in the world’s valleys than on the highest mountains’ tops. And that can include you and me, growing. I have been in both environments, literally and figuratively. Oh, there is beauty, and great perspectives, from the heights; and we should never disdain the upward trail.

But in the meantime, the valleys can be special places.

Let us remember – a propos the valleys of life – that even the most horrible valley described in God’s Word, the “Valley of the Shadow of Death,” is not a place from which our loving Father promises to spare us, no!

Psalm 23 assures us, “Yea, though I walk through the valley of the shadow of death, I will fear no evil: for Thou art with me; Thy rod and Thy staff they comfort me.”

We can not avoid such places in our lives. We can not escape such moments in our “walks.” Rather, we should trust God; lean on the Everlasting Arms. He does not promise to find detours for us. He promises to be with us, protect us… and comfort us, when we are in those dark valleys.

When Jesus gave the Great Commission, neither did He send His disciples to the mountaintops of all the world, but to all the world.

One more perspective, based on personal experiences. I have been on mountaintops – high above the “pine line” in the Rockies, with friends after Christian Writers conferences in Estes Park. We behold the vistas and have been moved to sing, “This Is My Father’s World.” Moving. I have also been so high in the Alps that nothing grows but lichen, that moss-like composite of fungus and algae (yes, this IS my Father’s world! Who could imagine that hybrid organism, not a plant?) – wondrous and mysterious and ancient. Yet… moss-like.

At the other extreme, to find something indigenous, think of the beautiful, fragrant, colorful Lily. “Of the Valley,” as it is known and loved.

There is victory in trials, the song reminds us. If mountaintop people never have trials, they can not lean on the promises of God; or savor His protection; or experience His sweet comfort.

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Click: In the Valley He Restoreth My Soul

5-11-15

And Moses said to the children of Israel, “See, the Lord… has filled him with the Spirit of God, in wisdom and understanding, in knowledge and all manner of workmanship, to design artistic works, to work in gold and silver and bronze, in cutting jewels for setting, in carving wood, and to work in all manner of artistic workmanship. And He has put in his heart the ability to teach… He has filled them with skill to do all manner of work of the engraver and the designer and the tapestry maker, in blue, purple, and scarlet thread and fine linen, and of the weaver – those who do every work and those who design artistic works” (Exodus 35:31-35).

There are some Christians who write to correct me when I refer to creativity, creative accomplishments, creators of prose and poetry and painting, of drawings, sculpture, and dance. Of course we know that God created all things, that nothing was created that was not created by Him. Or, technically, can be created. They say, “Only God can create.” Of course this is true for physical elements, for resources – a reminder that is either sobering or revelatory to extremists who think we might run out of water or oxygen or soil or minerals. We might indeed squander resources, spoil or misuse the earth’s treasures, and pollute the environment. But under this inverted bowl we call the sky we cannot add to God’s resources or make any disappear: the earth is the Lord’s and the fullness thereof… all of it.

Having parsed those terms, I believe it is not unscriptural to say that God’s children can create. Not in terms of alchemy, but to create stories from the mysterious depths of our imaginations. To create ethereal music where silence once reigned. To create images – paintings, drawings, sculpted figures, movies, graphic novels – by that magical process that exists between blank pages or canvasses and finished works of art, attended by simple speculation or profound genius as midwives.

We hear the clichés about what separates us from animals – laughter, compassion, intelligence – but I think the principal distinction, beyond having souls, is that we humans are creative beings. Not only created, but creative.

And I believe God endowed us with this spark of creativity. It is neither a theological “stretch” nor blasphemy to see ourselves this way. If we are to be “imitators of Christ,” in matters of relationships, forgiveness, discipleship, then surely we may be imitators of God, the Creator. In fact it is true, not suggestive but affirming, that most generations of humankind’s history, including in other faith traditions than our own, the majority of artistic expression has been exegetical of religious beliefs, expressing praise in unique ways, simply glorifying God. (That much artwork of the 20th and 21st centuries has been secular or anti-God, inimical to tradition and rejecting inherited values, is evidence, I think, of the cultural nihilism that infests our age. Do artists reflect their culture? Then yes, we have a proven case of societies tragically adrift. The contemporary arts tell us that we do not merely hate traditional standards; we of this age hate the very concept of there being standards.)

I have noted recently in this space that because of family matters I am in Ireland for month, and missing the Colorado Christian Writers Conference, an annual event where I endeavor to counsel aspiring writers and where (dirty-little-secret alert) I am replenished by fellowship with other creative types. I hasten to add that in God’s providence I am finding time, and making new friends, with writers and artists in Dublin, Ireland. And this is today’s context of the message I compose about once a year on creativity.

Dublin has a great literary tradition. I have already been to a few of the sites where Leopold Bloom “visited,” still marked as real locations and attractive to literary tourists. I will visit the Dublin Writers Museum, Trinity College Library, and the Chester Beatty Collection to see rare manuscripts and literary relics. The International Writers Festival will be held next week. Just to look upon the Book of Kells, the illuminated manuscript whose display turns one page each day – to realize that I look upon an astounding work of art, and a manuscript representative of monastic traditions that kept Christianity alive during the bleakest years of the barbarians’ dominance of Europe – floods the soul.

I have met, by chance or because of my daughter Emily’s affinity for the arts, writers and artists who are particularly gifted. Stacey Covell deconstructs and reconstructs poems, collaborating with visual artists who contribute to the new morphological creations, published in a revolutionary format of loose pages in an envelope, to be read, rearranged, spread out, and itself reconstructed. Another new friend is Martin McCormack, an artist whose invented medium is turf – mixing iconic Irish peat with glue and acrylics, applying the substance to boards and then scraping away negative portions of Irish cultural figures’ faces to produce portraits that are arresting.

There is in Dublin a fledgling group called the Creative Collective. Founded by James and Laura Pettit (he a musician, she a painter), it is a gathering-place where “we explore what creativity is and encourage every person to understand why imagination, beauty and truth matter in life. Everyone has imagination and ability to create, and everyone is welcome. We are involved in visual arts, music, theatre and performing arts, design, new media, literary arts and film.” Those who attend the meetups are from many different countries, all ages. The motivators and hosts of the Creative Collective are Christians, but wide-ranging, free discussion of the arts and creativity is the only “liturgy.”

Recently James formed a spin-off community, Art & Faith Together, to encourage those who wanted to explore the nexus of the disciplines. His own manifesto described the community: “Passion for creativity. My encouragement for everyone to understand how they are particularly made to create. Helping people understand what that means in their lives.” He said, “I love how any discussion about any art can have applications to another.”

I attended a meeting of Art & Faith Together in Dublin’s unique coffee shop Third Space last week. I was very impressed with James’ views of the arts and creativity (himself, among things, a classically trained trombonist who espied jazz and blues) but especially his views as a Christian artist. The American church community, with pockets of exceptions, I think tends not to encourage artistic expression and creativity. I hope I am mistaken. Too often, people of faith equate the arts with iconoclasm (in itself, not necessarily a bad thing), scatology and worse.

To the extent that Christian nay-sayers have any point, our response should not be to withdraw from creative communities and artistic expression, but to embrace them… reclaim them… redeem them.

James Pettit was firm in this view the night I met him at Art & Faith in Dublin. It was a commitment to something I had not fully considered: that Christians in the arts were not merely expressing their creativity; not only praising God in unique ways; but can fulfill themselves and in so doing, attract the world to the Word by the beauty, singularity, complexities, simplicity, fragrance, and elemental attractiveness of God-inspired, God-honoring art. I would add, as above, perhaps even be reverently God-imitative.

A few nights after that session in the Third Space Café in Dublin’s Smithfield district, James Pettit died of a massive heart attack. I, who knew him but a few hours, was as shocked and saddened as those who knew the transplanted American for years. This essay is a tribute to him, and the values this gentle giant of a man gently but firmly embraced.

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Click: Sweet Is the Melody

4-27-15

The Colorado Christian Writers Conference will be held in a couple weeks in Estes Park, in the Rocky Mountain National Park. I have been attending for a dozen years as faculty member, speaker, and invariable participant in the great opportunities for fellowship and worship.

I will miss it this year because of family matters in Ireland, whence I write this week. Great regrets. Ironically, if circumstances permit, I might attend, the very same days, the International Literature Festival (formerly the Dublin Writers Festival) in one of the world’s great literary cities. …but it is nothing like CCWF for Christian creators. I will miss the inevitable mountain-top experiences!

My good friend, writer Barbara Haley writes here about doubts and fears common to all writers – all creative people, even the most successful professionals – at times. She is our guest writer today.

In a few weeks, I will be attending the Colorado Christian Writers Conference for my 16th year. Same location, but a new inspirational and informative experience every year.

As I prepare for the conference, I’m reminded of the time just before my first conference when I didn’t feel like I was really ready to go. I didn’t know if I was a writer, and I felt guilty squandering our money just for a fun trip. Our finances were tight at the time, and I wondered if I were being a good steward of the money God gave us.

As the days before the conference ticked off, my anxiety grew. I rushed to get projects finished, but life happened and I seemed to get little accomplished. I would be presenting projects for critiques by professional writers and editors – work I was not yet proud of, writing not yet perfectly matched with my plans and expectations.

I couldn’t figure out how to be perfect. How to impress the editors and agents with whom I would be meeting. How to know ahead of time exactly what they wanted to see and hear. How to avoid the horrible experience of embarrassment or failure.

In all honesty, though I didn’t see it at the time, my anxiety boiled down to pride – not being able to control what others saw and felt about me. All my life I had been an over-achiever, because my self-worth was totally wrapped up in my performance and the affirmation of others.

The excitement I first felt when I registered slowly dissipated, replaced by dread and insecurity. I couldn’t sleep. Couldn’t concentrate. Couldn’t write.

Finally, I talked to my husband about my situation. “I’m so sorry, honey,” I said. “I feel like I’m wasting our precious money. I wonder if I could cancel and get a partial refund.”

With warm eyes, my sweet husband just smiled in his special reassuring way. “No, you’re not going to cancel. I don’t care if all you do is go sit under the mountains and spend time with Jesus. That would be worth every penny we’re spending!”

Wow! What a relief. The pressure to perform was off. I was going on a vacation with my precious friend and Savior, Jesus. With His help, I would do the best I could—and that would be enough. I could trust Him to walk beside me and show me His plan for my writing.

Each year, I remember those wise words from my husband. And each year, I consciously take time to lay aside the pressure of “being ready” and focus on my time with God. For when I turn my eyes to Him, the things of earth truly do grow strangely dim in the light of His glory and grace.

Hebrews 12:1-2a urges us to “throw off everything that hinders and the sin that so easily entangles. And let us run with perseverance the race marked out for us, fixing our eyes on Jesus, the pioneer and perfecter of faith.”

For me, the sin of pride had colored my world, entangling my thoughts, feelings, and actions. Once I consciously threw that off and turned my eyes back to the Lord, my world instantly brightened. Energy to run the race God had for me returned. Grace allowed me to accept my imperfections and, instead, glory in His strength and guidance.

As you listen to the following song, Turn Your Eyes Upon Jesus, take time to allow God’s grace and presence fill your soul, transforming your thoughts, feelings, and actions by the renewing of your mind.

That even “accomplished” creative people are beset by such feelings, ironically should reassure the nervous neophyte. Yes, we are in the same boat. Yes, we are “naked before the world” with our often tentative efforts. “Who are WE to presume that what we write [or paint, or compose] will interest anyone else?”

There are several answers to that question. As Bach did, we write as unto the Lord, and we seek to please Him first; other results follow. After that: write to please yourself; if you know your subject, and know your target audience, you will succeed. Solicit the opinions of fellow creators; share the pains and joys; be encouraged and be an encourager. Venues like the Colorado Christian Writers Conference are pure gold.

Sometimes having a “mountain-top experience” can even include spending part of a week on one of the most beautiful mountain ranges in the world.

For information about the Conference, go to Colorado Write His Answer

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Click: Turn Your Eyes Upon Jesus

5-19-14

A report from Colorado — Estes Park YMCA Conference Center, surrounded by late snows, young deer and elk, hundreds of professional and aspiring writers at the Colorado Christian Writers Conference. I have been on faculty, and critiquing the work of creative people yearning to Write His Answer, in the words of the conference motto.

In keynotes and session speeches, in prayer circles, the topics were many, but — as in other years, and without human direction or agenda — a matter of concern kept asserting itself: children. The crisis with children. Poverty here; AIDS in Africa; child sex trafficking in Asia; schools, orphanages, corruption in Swaziland; forced prostitution of young girls — children — in Thailand.

And when children are not parts of the headlines, they are parts of the story, the subtexts.

To speak about decline in morals and the media… we recognize that children are prime targets.

To speak about human trafficking… children are the victims.

To speak about the AIDs crisis in Africa… children suffer as the infected AND as orphans.

To speak about the persecuted church worldwide… children are the battleground of cultures suppressing Christianity.

In America – drugs: children. Education: children. Pornography: children. Poverty: children. Homelessness: children. Broken homes: children. Abortion: children.

It is a cliché to say that children are our future. But clichés are clichés because they are, first of all, true. However, children do not HAVE to be the first-in-line victims of a culture in decline. But they are. They cannot defend themselves; they believe what the culture tells them; they are the most vulnerable.

When I talk about headlines, it is literally the case. Recently 300-500 girls were kidnapped by a radical Islamist group in Nigeria. The kidnapper’s leader has gone public, blatantly threatening horrific fates, hinting of swaps of the innocent children for his fellow monsters in local jails.

Almost lost in the media coverage, and clearly a subordinate concern of the US government, is the little detail: the children are Christians.

If it is not becoming acceptable in the eyes of our media and government, it is at least a reflection of the frequency — almost to the point of boring triviality — that children, and Christians, and Christian children, are persecuted, brutalized, raped, jailed, and driven from their homelands.

In 1904 an American citizen was kidnapped in Africa. The businessman, Ion Pedecaris, was a pawn in the factional rivalries of the Pasha Raisuli and his Arabian government. A little history lesson: the First Lady of the United States did NOT pose for a photograph with a sign (as Michelle Obama did this week with the handwritten Twitter hashtag and “Bring Back the Children”). No, her husband, President Theodore Roosevelt, sent a message to that African government: “Pedecaris alive or Raisuli dead.”

The man was freed.

I know it is a fantasy, but I got to thinking, this week in Colorado, if Mrs Obama — I would settle for a cartoon of Uncle Sam — could hold a sign that said: #Bring back our sense of proportion… or justice… or honor… or respect for children… or defense of Christianity. As I said, I am afraid this is a fantasy.

Let us remember the children – care for them, protect them, cleanse their environment. If our generation has messed up, maybe the best thing we can do – not the only thing, but surely the FIRST thing – is to beg their forgiveness. And God’s.

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Here is a tender lullaby Slumber My Darling, written more than 150 years ago by a man I am increasingly persuaded was America’s greatest composer, Stephen Foster. It is performed by Alison Kraus, (amazing) vocals; and YoYo Ma; Mark O’Connor; Joshua Bell; and Edgar Meyer. The images are by the amazing Beanscot Channel.

Slumber, My Darling

12-2-13

There is an exhibition quietly and modestly making its way across the United States that is one of the most astonishing displays I have ever witnessed. I choose my words carefully – actually, an unbreakable habit of mine, even on good days – but I have been to America’s great museums, as well those of the world, including the Louvre, the Musee d’Orsay, the Uffizi, down to treasure-filled Halls of Fame. But currently (until Feb 1) housed in an otherwise ordinary former retail space in a neighborhood of Colorado Springs, is “Passages: The Experience.”

I think the weak link in their chain might be “branding,” since it is impossible to guess the exhibition’s theme from its title. And this is counter-intuitive, since the person behind this exhibition is one of America’s great marketers: Steve Green. The President of Hobby Lobby, Steve recently has been the focus of news – and prayers – because of his determination to resist the government’s ObamaCare guidelines to provide and pay 100 per cent of abortifacients , contraceptives, and abortion procedures for his employees. He and the Green family have sacrificed much to fight this battle, which has this week been accepted by the Supreme Court for a hearing.

“Passages” is an exhibition of Steve Green’s substantial collection of Bibles, illuminated manuscripts, ancient scrolls, biblical relics, and artifacts of the faithful. After Colorado Springs
( http://www.explorepassages.com ) the exhibition will continue its tour to other cities, ultimately top reside permanently in Washington DC.

Papyrus 39

After the Colorado Christian Writers Conference in May, my friend Diane Obbema read about the exhibition and suggested we visit. It was a great day of my life. First, we were impressed by the sheer scope. An iPod audio guide is eight hours long, for visitors who visit every display case and presentation. Cases, captions, actors and robotics, videos and interactive stations. Portions are designed for younger visitors. History comes alive. You see a Gutenberg press, you can pull one’s own prints.

More than that is the impressive display of scarce, often one-of-a-kind, artifacts. The second-largest private collection of Dead Sea Scrolls. Many cuneiform tablets; illuminated manuscripts; the world’s largest collection of vintage Jewish scrolls and ancient Torahs. Wycliffe’s likely Middle-English translation of the New Testament; the majority of the rare Gutenberg Bible; many of the famous early printed Bibles, like the Geneva Bible and the first King James Version. The exhibition’s surprises are… very surprising, and inspiring to see: a letter Martin Luther wrote night before his trial in Worms, half will and testament of the presumed martyr, half a rehearsal of his defiant “Here I Stand’ statement. In another display case, the manuscript copy of Julia Ward Howe’s “Battle Hymn of the Republic.” Amazing.

Martin Luther’s Will

This is the story of Christendom – the Church through the ages, managing to survive and spreading gloriously.

There is an overarching story beyond the gospel story itself, yet usually missed by most of us. Often it is willful ignorance or rejection. My mother-in-law was one of myriad, in this land of many churches, who fundamentally doubted the Bible’s authenticity or reliability. “It was written by men,” its first putative offense, and she also indicted its authorship “by many people, over many places, across many years, and through many translations.”

A slippery slope it is, of course, to dismiss the Bible as a collection of fables, or purloined wisdom, or irrelevant stories and lies. And, at first glance in the presence of the Green Family’s collection, the sheer variety of translations and versions can seduce the credulity of an average believer.

But none of us should be average believers! We are indwelt by the Holy Ghost, the same Spirit of the Living God who inspired – literally, “breathed life” into – these scriptures. “The word of God is quick, and powerful, and sharper than any two-edged sword” (Hebrews 4:12). It has advanced despite hideous persecution. It has survived, sometimes, in remote outposts where Christianity was anathema and believers were hounded. It has also at times triumphed, in the worldly sense… inviting corruption and diluting its tenets.

Yes, many men wrote the first lines; and many were there who copied, and translated, and transliterated, and remembered verses, and strove to record the words of Christ and the testimony of apostles and martyrs, who saved the songs of poets, the wisdom of the anointed, and the letters of evangelists. When men first sought to put the Words of God into the languages of the people, they were, for hundreds of years, pursued, humiliated, tortured, and killed for so doing. Yet more than a thousand tongues now have Bibles in their own languages.

… are these prescriptions for error and mistakes, prejudices and bias, carelessness and sloppiness; for local churches and leaders with tempting agendas, to bring distortion? Would it not be logical – with all the people, places, and possibilities over the years represented in the display cases of “Passages” – that, instead of one True Bible of thousands of translations and versions, that there be thousands of competing Bibles?

Yet discrepancies are a tiny fraction, seldom close to any major theological or historical point, and always quickly reconciled. To me, THIS is the evidence of the authority, even inerrancy, of scripture. Tried, tested, true: a living document that is not malleable to suit every generation’s distractions. No: living, to be a vital source of hope, truth, and salvation; a reality to every one in every time and every place.

The texts studied in Northern Africa, in the Fourth Century, say; or the lessons taught in Asia Minor or to the heathen in northern Europe at the same early times; or the sermon themes in faraway Ireland – all are virtually identical to the words of the Bibles we have in our homes today. About what other books can this be said?

To visit “Passages” is inspiring. Yet when Diane and I left the “Experience,” I could not help but see the physical evidence of devotion, scholarship, sacrifice, martyrdom, and enterprise of uncountable saints through the millennia… and not feel a chill of caution.

Is America today capable of such fidelity to the Word of God? Does Western civilization have the loyalty to Christianity that it once did at Saragossa and at the Gates of Vienna? Right now, no.

The Word of God will survive always: axiomatic for the Eternal Truth. But if the Church of Christ dies in what is left of Western Civilization, it ultimately will be due not to persecution by its enemies, but neglect by its adherents.

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For those who cannot visit the “Passages” exhibition, or until its goal of a permanent home in the nation’s capital, books and other materials are available from the organizers: https://store.explorepassages.com

I have chosen a beautiful performance in a beautiful setting of Mozart’s beautiful “Laudate Dominum.” The text is the entire Psalms 117, shortest in the Bible, followed by the doxology. The music, if I might presume to characterize it so, is by the Holy Spirit, received and passed to us by Mozart. One of his supernal masterworks. The singer is the beautiful – yes, beauty abounds – Katherine Jenkins. The captions are the Latin text and Czech. Here is the English:

Praise the Lord, all ye peoples,
Praise Him, all ye peoples.
For his loving kindness
Has been bestowed upon us,
And the truth of the Lord endures for eternity.

Glory to the Father, Son, and to the Holy Spirit;
As it was in the beginning, is now, and ever shall be,
World without end. Amen.

Click: Laudate Dominum

10-7-13

Many popular sayings that are regarded as embodying folk wisdom are, in fact, as crumbly as the fortune cookies where they should stay. I have always been struck by how almost every handy, traditional capsule of folk wisdom is cancelled by another such time-honored saying. “Look before you leap”? But… “He who hesitates is lost.” You can “roll with the punches” OR “if you can’t stand the heat, get out of the kitchen.” And so forth.

I recently thought the oft-quoted Thomas Wolfe aphorism “You can’t go home again” when I did in fact visit the home in New York City where I was born, and the address in the New Jersey suburbs where I was reared. I drove from the Philadelphia Christian Writer’s Conference with my friend Shawn Kuhn, who was born in a different neighborhood of Queens. We were each a little surprised that our neighborhoods were clean, appeared safe, and had not fallen prey to real or clichéd urban blight: just the opposite.

Later in the week, with my sister Barbara, we visited the address of our adolescent years – I call it such because it was recently razed and replaced with what regretful “natives” like me are calling “McMansions,” ridiculous mini-estates on half acres. Most of the new owners likely suffer from the affliction common to parvenus, the Edifice Complex.

It was sad to see my home no longer there; our Village School boarded up; the town’s Swim Club closed and overgrown; and the church of our youth condemned, doors chained closed, neglected.

However. Paging Thomas Wolfe: “You CAN go home again.” I understand that I am supposed to understand that the past is past, a rose is a rose, and all those other syllogisms. The more important facts relate not to whether our parents have died, or our homes have been demolished, but what value they had in our development. The important corners of our memories. Then, the question is not whether we can “go home,” but whether those “homes,” our foundational values, can, or should, ever leave us.

I will call someone else, George Santayana, into the discussion, and mangle his own famous aphorism: “Those who forget the past are not only in danger of repeating it, but of having no past at all.”

I recently quoted Theodore Roosevelt in this space: “Both life and death are parts of the same great adventure.” And we should be reminded that Wolfe’s adage refers to the emotions and our intellectual growth, as much as nostalgic real-estate tours. My childhood is not a house; it was spent in a home that stood there. What I am, or have achieved, as a man is no less real because my parents died after my formative years. The chapel of my affectionate memories is gone, all the more bitter because it stands as a skeleton; but my faith was not diminished because the doors are chained shut.

Indeed, the pasts we miss and the futures we distrust are seldom pieces of real estate or schoolrooms or, say, battlefields. They are of the mind, the intellect, of life-choices, emotions… in fact, the spiritual realm.

Even when we know this fact, whether we are filled with joy or anxiety, it is easy to forget: a most human part of our humanity. My heart currently grieves for the director of the writer’s conference Shawn and I attended, because she is beset by personal problems, health trials facing herself and family members, business challenges galore… (Please look for the website of Write His Answer Ministries and see the wonderful things Marlene Bagnull has done and is doing)

Christians know the Author all good things, and know who is the enemy of our souls, who comes to seek, and kill, and destroy. Words are cheap (if I can cite another old cliché) but, being a frequent victim of discouragement myself, I feel qualified to remind anyone who will listen that there is a Larger Story. We cannot always see it. But we need to remember it.

“I will not fail thee, nor forsake thee,” Joshua 1: 5.

We call to our memories: we should summon the best of them. They call to us. And, whether our children live near or far, we should always be in the mode of calling them home too. Just as our Heavenly Father does to us.

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We can visit our old houses, or not. But we remember our homes. When parts of our past remember us, so to speak – “call to us” – it doesn’t mean we look backward, either to change course or to summon regrets. We are reminded, properly, that life is a continuity of traditions and values. Memories of homes, schools and churches are represented by parents, calling; just as we will be calling our children “home.” The classic song by Doyle Lawson, sung by Emmylou Harris.

Click: Calling Our Children Home

9-23-13

A theme song of cynics – there are many; many cynics and many are their themes – is the famous sentiment written by Shakespeare: “The evil that men do lives after them; the good is oft interred with their bones” (Julius Caesar, Act 3, i). But the hopeful among us must see that this is honored in the breach, that the exception proves the rule. We must not merely be convinced that fights for righteousness and honor and creative expression are worth the fight in this difficult life… but that the fight ITSELF, not only the goal, is worthy.

Cynicism is challenged by uncountable examples of service and sacrifice by kind souls, by acts of charity, a word whose original meaning is “love.” Challenged in the over-arching sense by the work of weary toilers in the fields who sometimes are bent but never broken. And in the very personal examples of artists who die without ever knowing the effect their work eventually has on other people. There are stories we all know from history.

We think of van Gogh; of Poe; of the composer Schubert and the novelist John Kennedy Toole… and of Eva Cassidy.

Some serious critics have called Eva the greatest American vocalist. Do you ask, “Who?” Her relatively sparse playlist has swept record charts around the world. Some of the era’s greatest singers and producers have attested to her uniqueness. The acclaim and sales have all come years after she died. Eva was born in Washington DC in 1963. Self- (and dad-) taught on several instruments, she listened to the great performers of several genres she rapidly mastered herself: blues, jazz, gospel, country, pop standards.

Eva played in several clubs in the Washington area. A college town, DC is replete with jazz clubs, music venues, performance clubs. As a student there myself in ancient times, I was privileged to enjoy, in places like the Cellar Door, Emmylou Harris, Linda Ronstadt, and Randy Scruggs before they were nationally famous. Later, Eva Cassidy attracted a local following and made a few CDs, but her fame was fairly restricted to the District. Pros and record execs who heard her music were astonished, but many of them simply did not know in which category to place her. All of them later regretted their short-sightedness. Her voice was angelic (if angels were to sing the blues); her interpretations were miraculously emotional; her guitar style was unique.

When she was 30 she had a malignant tumor removed from her neck. Three years later she was dead, the melanoma having survived within her body, spread to bones and lungs. After her diagnosis (three to five months to live, no hope of survival) she returned once more to her stage of choice, DC’s Blues Alley, and sang “What a Wonderful World.” That choice, as much as hearing her music, confirms what a wonderful person, not merely a musical talent, Eva Cassidy was.

But it was five full years after her death before the world really heard about her, and heard her. A stray CD made its way the BBC Radio studios in London. Airplay on a morning show lit up the proverbial switchboard. Fast-forward this story to Number One on British record charts; five CDs in the Top 150; continuing presence in England and Ireland, especially, but also Germany, Scandinavia, Switzerland, and Australia… and, finally, America; and sales exceeding 10-million CDs.

It is easy to lapse (thusly) into numbers and statistics. But it was Eva Cassidy’s astonishing talent, and her effect on listeners, that is the story. She had a gift for making mundane lyrics special, for discovering spiritual nuances in standard love songs, for making happy tunes blues-y and turning sad ballads hopeful.

That her “success” is posthumous is ironic at least. Yet once we take account of life’s vicissitudes, we should take heart. The good that we may do DOES live on “after our bones are interred.” When we do the Lord’s work, sharing hope and sunshine, we are eager to see the “seeds” we plant take root and bloom. But we don’t always know if, or when, it will happen. Mostly, we cannot know. As servants of the Word, it really is the Holy Spirit’s job to “close the deals,” and we should resist the temptation of pride if we are too concerned with the seeds we plant. We can plant those seeds; we can even cultivate; but only God can make life grow.

In fact there is a legitimate spiritual satisfaction in not knowing these details. When writers, artists, singers, songwriters, poets, and all people graced with God’s creativity set their works out (as it were) like baby Moses in a basket, among the reeds and into unknown waters, we don’t know who will discover them. But, trusting the God whom we serve by serving our fellow men and women, untold numbers of people, and their families after them, may be profoundly touched. Even if one person’s spirit responds, we have done our jobs.

If we, any of us, exercise the talents wherewith we have been graced, if we see our lives as parts of the cultural continuum of civilization, just as we are woven with the scarlet threads of redemption, then some of us might be the next van Goghs, Poes, Schuberts, Tooles, and Eva Cassidys. And be content that the value is in the working and the works, not the accolades of the world. And the rest of us? We can feel blessed that we are witnesses of these great talents.

Remember the Yogi Berra quotation, “It ain’t over till it’s over”? Memo to Yogi: sometimes it only BEGINS when it’s “over.” The theme song of THAT truth is sung by Eva Cassidy.

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One of the only videos of Eva Cassidy singing is an amateur camcorder capture of her and her guitar at Blues Alley. It often brings tears to viewers’ eyes for the unique interpretation and commonly untapped meanings from a pop standard previously considered without spiritual depth. “Somewhere Over the Rainbow” was recorded the year of Eva’s death, 1996. I commend this performance to you, and its compelling whisper to your soul: “Somewhere over the rainbow, skies are blue, and the dreams that you dare to dream, really do come true. … If happy little bluebirds fly above the rainbow, why, oh why, can’t I?” When Eva sang, she made it a spiritually rhetorical question: We can.

Click: Somewhere Over the Rainbow

5-21-2012

On the heels from a week at the Christian Writers Conference in beautiful Estes Park CO, I come away with a heart exultant from fellowship, encouragement, and creative interaction with creative geniuses (some of them not yet published, but surely to be, soon). We also had reports and prayerful consideration of the cultural and spiritual crises facing Christians in this broken world. Human trafficking, persecution of believers, orphans in desperate situations… these “we will always have with us,” but as followers of Christ we cannot fail to respond.

I actually wonder whether Americans know what “hard times” are. I have been through some difficult patches, but I cannot say that I have known Hard Times in the sense that every previous generation in history, virtually everywhere in the world, has experienced.

I have been sad, but not in sorrow. I have been in debt, but never destitute. I have had regrets, but never grief. How many of us can share such relatively comfortable testimony? In my case, to whatever extent I rightly judge my insulation, it is largely due to my standing as a Christian — receiving joy that passes understanding — but we also have to credit modern life, in America, with /its technology, medicine, and general prosperity.

Hard Times do come in America, but somehow all the wars and crises have the lengths of TV mini-series, and if not, the public grows impatient. The public has a sound-bite mentality. We used to face our challenges; but now we are distracted with the modern equivalents of the Romans’ “bread and circuses” — pop entertainment, push-button gratification.

In many ways this indicates that we are not advancing as a culture. I’m not sure we are “going backwards,” either, because that might actually be beneficial. Giuseppi Verdi (yes, the composer otherwise known as Joe Green) once said, “Torniamo all’antico: Sara un progresso” — “We turn to the past in order to move forward.”

I got thinking of Hard Times in America when I pulled an elegant old volume off my bookshelf. “Folk Songs” was published in 1860, before the Civil War. This book is leather-bound, all edges gilt, pages as supple as when it was printed, a joy to hold. The “folk songs” of its title refers not to early-day coffee houses, but to poems and songs of the people, in contradistinction to epic verse or heroic sagas; the way the German word “Volk” refers to the shared-group spirit of the masses.

Many of the titles are charming: “The Age of Wisdom,” “My Child,” “Baby’s Shoes,” “The Flower of Beauty,” “The First Snow-Fall”… However, such sweet titles mask preoccupations with children dying in snow drifts, lovers deserting, husbands lost at sea, fatal illness, mourning for decades, unfaithful friends. No need to guess the themes other titles from the index:”Tommy’s Dead,” “The Murdered Traveler,” and “Ode To a Dead Body.”

It reminded me that people 150 years ago were not gloomy pessimists: they were not. But Hard Times were a part of life, and therefore part of poetry and song. On the frontier, life could be snuffed out in a moment. In the imminent Civil War, roughly every third household was affected by death, maiming, split families, or hideous disruption; yet anti-war movements never gained traction; life went on. Abraham Lincoln almost lost his mind over an unhappy love affair; his wife likely did lose her mind when her favorite son died in the White House. Theodore Roosevelt’s young wife (in childbirth) and mother (of a kidney disease) died on the same day in the same house. Hard Times? Close enough, we would agree.

Also before the Civil War, a composer named Stephen Foster wrote a song called “Hard Times.” He is barely recalled today, sometimes as a caricature, but he might be America’s greatest composer. He wrote “My Old Kentucky Home,” “I Dream of Jeannie With the Light Brown Hair,” “Old Black Joe,” “Carry Me Back to Ol’ Virginia,” “Way Down Upon the Swannee River / Old Folks At Home,” “Oh, Susanna,” “Camptown Races,” “Beautiful Dreamer”… and “Hard Times, Come Again No More.”

This last song has been resurrected lately to a certain repute, or at least utility. In some circles it has become an anthem for charities and lamentation of poverty. Bruce Springsteen, Bob Dylan, even the Squirrel Nut Zippers, have sung it. It has taken on the air of a secular anthem. But in fact, although Stephen Foster did not embed a Gospel message in the lyrics, he had written many hymns in his life, and — if we can turn back our minds to the world of 150 years ago — it is clear that the Hard Times he wrote of were the world’s trials, to be relieved in heaven. It is clear that the “cabin,” and its door, in the song are metaphors.

Here is a memorable video to evoke the reality of life’s Hard Times, the promise heaven holds, and the beauty of Stephen Foster’s music to you. The seven singers are from the amazing project of a few years ago, “The Transatlantic Sessions” — singers and musicians from America (US and Canada), Ireland, and Scotland singing old and new “folkish” songs in a living-room setting.

Listen to the wonderful performance, the amazing music, and the important reminder that we should keep Hard Times in perspective… but also that God provides a joyful relief from life’s disappointments when they come. By and by, they will “come no more.”

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The singers are, left to right, Rod Paterson, Scotland; Karen Matheson, Scotland — hear her incredible soprano harmony on the left channel; Mary Black, Ireland; Emmylou Harris, US; Rufus Wainwright, his mother the late Kate McGarrigle, and her sister Anna McGarrigle on the button accordion, all Canadians. The other musicians are fiddler Jay Ungar — he wrote the haunting “Ashokan’s Farewell: tune of the PBS “Civil War” series — and his wife Molly Mason on the bass.

Click: Hard Times Come Again No More

Let us pause in life’s pleasures and count its many tears,
While we all sup sorrow with the poor;
There’s a song that will linger forever in our ears;
Oh hard times, come again no more.

Chorus:
‘Tis the song, the sigh, of the weary,
Hard Times, hard times, come again no more
Many days you have lingered around my cabin door;
Oh hard times, come again no more.

While we seek mirth and beauty and music light and gay,
There are frail forms fainting at the door;
Though their voices are silent, their pleading looks will say
Oh hard times, come again no more.

(Chorus)

There’s a pale drooping maiden who toils her life away,
With a worn heart whose better days are o’er:
Though her voice would be merry, ’tis sighing all the day,
Oh hard times, come again no more.

(Chorus)

There’s a pale drooping maiden who toils her life away,
With a worn heart whose better days are o’er:
Though her voice would be merry, ’tis sighing all the day,
Oh hard times, come again no more.

(Chorus)

5-16-11

I am rounding out the week at the Colorado Christian Writer’s Conference in Estes Park. One of the two such annual events chaired by Marlene Bagnull (the other is in Philadelphia in August), this conference is a magnet for veteran writers, aspiring writers, editors, and publishers. It overflows with practical training and teaching, but not the least of its offerings –- and blessings -– is the spiritual uplift.

Despite this economy, registration was higher this year then last year. Creative people are more passionate about telling God’s story (“Writing His Message,” from Habakkuk 2:2) than ever! And there is a message to tell.

The theme of this year’s conference, for the morning and evening sessions and keynotes, was the crisis in the culture, writers being engaged to save our nation.

It struck me that over the course of the week, no matter what the focus, there was a unifying theme. Of course the decaying culture, and other obvious headlines, connected the dots of all the talks and presentations. But an underlying subtext –- one that should grieve us all -– became evident in spite of ourselves.

To speak about decline in morals and the media… we recognize that children are prime targets.

To speak about human trafficking… children are the victims.

To speak about the AIDs crisis in Africa… children suffer as the infected AND as orphans.

To speak about the persecuted church worldwide… children are the battleground of cultures suppressing Christianity.

In America – drugs: children. Education: children. Pornography: children. Poverty: children. Homelessness: children. Broken homes: children. Abortion: children.

It is a cliché to say that children are our future. But clichés are clichés because they are, first of all, true. However, children do not HAVE to be the first-in-line victims of a culture in decline. But they are. They cannot defend themselves; they believe what the culture tells them; they are the most vulnerable.

Let us remember the children -– care for them, protect them, cleanse their environment. If one generation messed up, maybe the best thing we can do –- not the only thing, but surely the BEST thing –- is beg forgiveness and leave them a better world.

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Here is a tender lullaby Slumber My Darling, written more than 150 years ago by a man I am increasingly persuaded was America’s greatest composer, Stephen Foster. It is performed by Alison Kraus, (amazing) vocals; and YoYo Ma; Mark O’Connor; Joshua Bell; and Edgar Meyer. The images are by the amazing Beanscot Channel.

Click on: Slumber, My Darling