Monday Morning Music Ministry

8-3-15

Hard Times. A relative term. Not only within our own situations, but compared to others… America, compared to other nations… our days, compared to the past. Truly, materially at least, we are blessed.

I have been sad, but not in sorrow. I have been in debt, but never destitute. I have had regrets, but never grief. How many of us can share such relatively comfortable testimony? In my case, to whatever extent I rightly judge my “insulation,” it is largely due to my standing as a Christian – receiving joy that passes understanding. But we also have to credit modern life, in America, with its technology, medicine, and general prosperity. Right?

Hard Times happen in America, but somehow many of the crises have the lengths of TV mini-series, and when not, the public grows impatient for the next one. Our culture has a sound-bite mentality. We used to face our challenges; but now we are distracted with the modern equivalents of the Romans’ “bread and circuses” — pop entertainment, push-button gratification. The Bible paints a picture of awful distress in earth in the End Times, and we are not prepared for that.

In many ways this indicates that we are not advancing as a culture. I’m not sure we are “going backwards,” either, because that might actually be beneficial. Giuseppi Verdi (yes, the composer otherwise known as Joe Green) once said, Torniamo all’antico: Sara un progresso — “We turn to the past in order to move forward.”

I got thinking of Hard Times in America when I pulled an elegant old volume off my bookshelf. Folk Songs was published in 1860, before the Civil War. This book is leather-bound, all edges gilt, pages as supple as when it was printed, a joy to hold. The “folk songs” of its title refers not to early-day coffee houses, but to poems and songs of the people, in contradistinction to epic verse or heroic sagas; the way the German word Volk refers to the shared-group spirit of the masses.

Many of the titles are charming: “The Age of Wisdom,” “My Child,” “Baby’s Shoes,” “The Flower of Beauty,” “The First Snow-Fall”… However, such sweet titles mask preoccupations with children dying in snow drifts, lovers deserting, husbands lost at sea, fatal illness, mourning for decades, unfaithful friends. No need to guess the themes other titles from the index:”Tommy’s Dead,” “The Murdered Traveler,” and “Ode To a Dead Body.”

It reminded me that people 150 years ago were not gloomy pessimists: they were not. But Hard Times were a part of life, and therefore part of poetry and song. On the frontier, life could be snuffed out in a moment. In the imminent Civil War, roughly every third household was affected by death, maiming, split families, or hideous disruption; yet anti-war movements never gained traction; life went on. A young Abraham Lincoln had almost lost his mind over an unhappy love affair; his wife likely did lose her mind when her favorite son died in the White House. Theodore Roosevelt’s young wife (in childbirth) and mother (of salmonella) died on the same day in the same house. Hard Times, I’d say.

Also before the Civil War, a composer named Stephen Foster wrote a song called Hard Times. He is barely recalled today, sometimes as a caricature, but he might be America’s greatest composer. He wrote My Old Kentucky Home; I Dream of Jeannie With the Light Brown Hair; Old Black Joe; Carry Me Back to Ol’ Virginia; Way Down Upon the Swanee River / Old Folks At Home; Oh, Susanna; Camptown Races; Beautiful Dreamer… and Hard Times, Come Again No More. This last song has been resurrected lately to a certain repute, or at least utility. In some circles it has become an anthem for charities and lamentation of poverty. Bob Dylan, Bruce Springsteen, even the Squirrel Nut Zippers, have sung it. It has taken on the air of a secular anthem. But in fact, although Stephen Foster did not embed a Gospel message in the lyrics, he had written many hymns in his life. It is clear that the “cabin,” and its door, in the song are metaphors, endowing a spiritual subtext to the song.

If we can turn back our minds to the world of 150 years ago — it is clear that the Hard Times he wrote of were the world’s trials, to be relieved in Heaven. We have a haunting melody, but a clear truth: Hard Times will be endured and become things of the past. We must keep them in perspective. Trust in Him. God provides a joyful relief from life’s disappointments when they come. By and by, they will “come no more.”

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Here is a memorable video to evoke the reality of life’s Hard Times, the promise heaven holds, and the beauty of Stephen Foster’s music to you. The seven singers are from the amazing project of a few years ago, “The Transatlantic Sessions” — singers and musicians from America (US and Canada), Ireland, and Scotland singing old and new “folkish” songs in a living-room setting.

(By the way, they are, left to right, Rod Paterson, Scotland; Karen Matheson, Scotland — hear her incredible soprano harmony on the left channel; Mary Black, Ireland; Emmylou Harris, US; Rufus Wainwright, his mother Kate McGarrigle, and her sister Anna McGarrigle on the button accordian, all Canadians. The other musicians are fiddler Jay Ungar — he wrote the haunting “Ashokan’s Farewell” tune of the PBS “Civil War” series — and his wife Molly Mason on the bass; and the project’s shepherds Shetland fiddler Aly Bain, and American dobro player Jerry Douglas.)

The lyrics are printed out under the link:

Click: Hard Times Come Again No More

Let us pause in life’s pleasures and count its many tears,
While we all sup sorrow with the poor;
There’s a song that will linger forever in our ears;
Oh hard times, come again no more.

Chorus:
‘Tis the song, the sigh, of the weary,
Hard Times, hard times, come again no more
Many days you have lingered around my cabin door;
Oh hard times, come again no more.

While we seek mirth and beauty and music light and gay,
There are frail forms fainting at the door;
Though their voices are silent, their pleading looks will say
Oh hard times, come again no more.

There’s a pale drooping maiden who toils her life away,
With a worn heart whose better days are o’er:
Though her voice would be merry, ’tis sighing all the day,
Oh hard times, come again no more.