Monday Morning Music Ministry

10-7-13

Many popular sayings that are regarded as embodying folk wisdom are, in fact, as crumbly as the fortune cookies where they should stay. I have always been struck by how almost every handy, traditional capsule of folk wisdom is cancelled by another such time-honored saying. “Look before you leap”? But… “He who hesitates is lost.” You can “roll with the punches” OR “if you can’t stand the heat, get out of the kitchen.” And so forth.

I recently thought the oft-quoted Thomas Wolfe aphorism “You can’t go home again” when I did in fact visit the home in New York City where I was born, and the address in the New Jersey suburbs where I was reared. I drove from the Philadelphia Christian Writer’s Conference with my friend Shawn Kuhn, who was born in a different neighborhood of Queens. We were each a little surprised that our neighborhoods were clean, appeared safe, and had not fallen prey to real or clichéd urban blight: just the opposite.

Later in the week, with my sister Barbara, we visited the address of our adolescent years – I call it such because it was recently razed and replaced with what regretful “natives” like me are calling “McMansions,” ridiculous mini-estates on half acres. Most of the new owners likely suffer from the affliction common to parvenus, the Edifice Complex.

It was sad to see my home no longer there; our Village School boarded up; the town’s Swim Club closed and overgrown; and the church of our youth condemned, doors chained closed, neglected.

However. Paging Thomas Wolfe: “You CAN go home again.” I understand that I am supposed to understand that the past is past, a rose is a rose, and all those other syllogisms. The more important facts relate not to whether our parents have died, or our homes have been demolished, but what value they had in our development. The important corners of our memories. Then, the question is not whether we can “go home,” but whether those “homes,” our foundational values, can, or should, ever leave us.

I will call someone else, George Santayana, into the discussion, and mangle his own famous aphorism: “Those who forget the past are not only in danger of repeating it, but of having no past at all.”

I recently quoted Theodore Roosevelt in this space: “Both life and death are parts of the same great adventure.” And we should be reminded that Wolfe’s adage refers to the emotions and our intellectual growth, as much as nostalgic real-estate tours. My childhood is not a house; it was spent in a home that stood there. What I am, or have achieved, as a man is no less real because my parents died after my formative years. The chapel of my affectionate memories is gone, all the more bitter because it stands as a skeleton; but my faith was not diminished because the doors are chained shut.

Indeed, the pasts we miss and the futures we distrust are seldom pieces of real estate or schoolrooms or, say, battlefields. They are of the mind, the intellect, of life-choices, emotions… in fact, the spiritual realm.

Even when we know this fact, whether we are filled with joy or anxiety, it is easy to forget: a most human part of our humanity. My heart currently grieves for the director of the writer’s conference Shawn and I attended, because she is beset by personal problems, health trials facing herself and family members, business challenges galore… (Please look for the website of Write His Answer Ministries and see the wonderful things Marlene Bagnull has done and is doing)

Christians know the Author all good things, and know who is the enemy of our souls, who comes to seek, and kill, and destroy. Words are cheap (if I can cite another old cliché) but, being a frequent victim of discouragement myself, I feel qualified to remind anyone who will listen that there is a Larger Story. We cannot always see it. But we need to remember it.

“I will not fail thee, nor forsake thee,” Joshua 1: 5.

We call to our memories: we should summon the best of them. They call to us. And, whether our children live near or far, we should always be in the mode of calling them home too. Just as our Heavenly Father does to us.

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We can visit our old houses, or not. But we remember our homes. When parts of our past remember us, so to speak – “call to us” – it doesn’t mean we look backward, either to change course or to summon regrets. We are reminded, properly, that life is a continuity of traditions and values. Memories of homes, schools and churches are represented by parents, calling; just as we will be calling our children “home.” The classic song by Doyle Lawson, sung by Emmylou Harris.

Click: Calling Our Children Home

9-23-13

A theme song of cynics – there are many; many cynics and many are their themes – is the famous sentiment written by Shakespeare: “The evil that men do lives after them; the good is oft interred with their bones” (Julius Caesar, Act 3, i). But the hopeful among us must see that this is honored in the breach, that the exception proves the rule. We must not merely be convinced that fights for righteousness and honor and creative expression are worth the fight in this difficult life… but that the fight ITSELF, not only the goal, is worthy.

Cynicism is challenged by uncountable examples of service and sacrifice by kind souls, by acts of charity, a word whose original meaning is “love.” Challenged in the over-arching sense by the work of weary toilers in the fields who sometimes are bent but never broken. And in the very personal examples of artists who die without ever knowing the effect their work eventually has on other people. There are stories we all know from history.

We think of van Gogh; of Poe; of the composer Schubert and the novelist John Kennedy Toole… and of Eva Cassidy.

Some serious critics have called Eva the greatest American vocalist. Do you ask, “Who?” Her relatively sparse playlist has swept record charts around the world. Some of the era’s greatest singers and producers have attested to her uniqueness. The acclaim and sales have all come years after she died. Eva was born in Washington DC in 1963. Self- (and dad-) taught on several instruments, she listened to the great performers of several genres she rapidly mastered herself: blues, jazz, gospel, country, pop standards.

Eva played in several clubs in the Washington area. A college town, DC is replete with jazz clubs, music venues, performance clubs. As a student there myself in ancient times, I was privileged to enjoy, in places like the Cellar Door, Emmylou Harris, Linda Ronstadt, and Randy Scruggs before they were nationally famous. Later, Eva Cassidy attracted a local following and made a few CDs, but her fame was fairly restricted to the District. Pros and record execs who heard her music were astonished, but many of them simply did not know in which category to place her. All of them later regretted their short-sightedness. Her voice was angelic (if angels were to sing the blues); her interpretations were miraculously emotional; her guitar style was unique.

When she was 30 she had a malignant tumor removed from her neck. Three years later she was dead, the melanoma having survived within her body, spread to bones and lungs. After her diagnosis (three to five months to live, no hope of survival) she returned once more to her stage of choice, DC’s Blues Alley, and sang “What a Wonderful World.” That choice, as much as hearing her music, confirms what a wonderful person, not merely a musical talent, Eva Cassidy was.

But it was five full years after her death before the world really heard about her, and heard her. A stray CD made its way the BBC Radio studios in London. Airplay on a morning show lit up the proverbial switchboard. Fast-forward this story to Number One on British record charts; five CDs in the Top 150; continuing presence in England and Ireland, especially, but also Germany, Scandinavia, Switzerland, and Australia… and, finally, America; and sales exceeding 10-million CDs.

It is easy to lapse (thusly) into numbers and statistics. But it was Eva Cassidy’s astonishing talent, and her effect on listeners, that is the story. She had a gift for making mundane lyrics special, for discovering spiritual nuances in standard love songs, for making happy tunes blues-y and turning sad ballads hopeful.

That her “success” is posthumous is ironic at least. Yet once we take account of life’s vicissitudes, we should take heart. The good that we may do DOES live on “after our bones are interred.” When we do the Lord’s work, sharing hope and sunshine, we are eager to see the “seeds” we plant take root and bloom. But we don’t always know if, or when, it will happen. Mostly, we cannot know. As servants of the Word, it really is the Holy Spirit’s job to “close the deals,” and we should resist the temptation of pride if we are too concerned with the seeds we plant. We can plant those seeds; we can even cultivate; but only God can make life grow.

In fact there is a legitimate spiritual satisfaction in not knowing these details. When writers, artists, singers, songwriters, poets, and all people graced with God’s creativity set their works out (as it were) like baby Moses in a basket, among the reeds and into unknown waters, we don’t know who will discover them. But, trusting the God whom we serve by serving our fellow men and women, untold numbers of people, and their families after them, may be profoundly touched. Even if one person’s spirit responds, we have done our jobs.

If we, any of us, exercise the talents wherewith we have been graced, if we see our lives as parts of the cultural continuum of civilization, just as we are woven with the scarlet threads of redemption, then some of us might be the next van Goghs, Poes, Schuberts, Tooles, and Eva Cassidys. And be content that the value is in the working and the works, not the accolades of the world. And the rest of us? We can feel blessed that we are witnesses of these great talents.

Remember the Yogi Berra quotation, “It ain’t over till it’s over”? Memo to Yogi: sometimes it only BEGINS when it’s “over.” The theme song of THAT truth is sung by Eva Cassidy.

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One of the only videos of Eva Cassidy singing is an amateur camcorder capture of her and her guitar at Blues Alley. It often brings tears to viewers’ eyes for the unique interpretation and commonly untapped meanings from a pop standard previously considered without spiritual depth. “Somewhere Over the Rainbow” was recorded the year of Eva’s death, 1996. I commend this performance to you, and its compelling whisper to your soul: “Somewhere over the rainbow, skies are blue, and the dreams that you dare to dream, really do come true. … If happy little bluebirds fly above the rainbow, why, oh why, can’t I?” When Eva sang, she made it a spiritually rhetorical question: We can.

Click: Somewhere Over the Rainbow